A Sense of Place; a collection of fine art prints

In contrast with the St. James Court Art Show tradition of posters and prints of the past which started in 1981, this fine art series which began in 2019, will focus on the place, St. James Court.

We will explore the vast history of the Court, its broad architectural styles, colorful residents and contributions to the fabric of Louisville, through the watercolor interpretations of Mark D. Bird.

The print series features the highest quality giclee fine art reproductions in signed and numbered editions of 100 prints. These reproductions are printed on 100% cotton archival paper, using pigmented inks which offer lightfastness up to 200 years. Each print will also receive an original pencil remarque by the artist to assure its authenticity.

Each print edition in this collection will be released on an annual basis for a period of ten years.

2022 Print

To place an order for a 2022 print or any past poster prints click here.

2022 Print

A Historical Preservation Success Story: The St. James Court Fountain

Artist Statement

The subject for the third edition of the print collection, “A Sense of Place” seems more than a little appropriate, given its presence as the centerpiece of St. James Court.

The Victorian period fountain has had a remarkable history since its installment in the late 1800s. Originally composed of cast iron and zinc, the elements had taken their toll on this imposing monument.

In the mid 1950s, after years and years of repairs to the fountain by the St. James Court Association, including painting, rust removal, the addition of steel support columns around the bowl and a seemingly endless flow of dollars toward its salvation… all these measures, to stem the tide of its demise, proved fruitless. The fountain was crumbling, bit by bit, into the pool basin.

Malcolm Bird, a former President of the Association, suggested that a complete restoration of the fountain would soon be necessary and helped establish a fund specifically for this project. With consultation from preservation groups, artists, sculptors, and foundries throughout the nation, the consensus was unanimous: the fountain needed a total recasting in bronze, to assure its permanent place in history. And time was of the essence since molds would need to be made of the intricate figures while there was still enough detail to make exact duplicates.

Unfortunately, the Association did not have the resources for the entire project, but with the assistance of several property owners, who acted as Guarantors, the Association secured the finances. The fountain was missing from its center court location for three years, while its makeover progressed. The casting was performed by Fine Arts Sculpture Centre of Clarkston, Michigan.

On the beautiful afternoon of September 14, 1975, residents, former residents, preservationists, local and national officials, friends, and neighbors gathered for the unveiling of the recasting during a reception and dedication ceremony.

The Association dedicated the fountain to: “The principal of preservation, specifically, to the preservation of this historic landmark, a symbol of the elegant Victorian era that was entrusted to our care. Thereby, we hope to set an example that will inspire future generations to cherish, love and care for their heritage.” *

I remember having attended the unveiling and it was a thrill I shall long remember.

So, this success story of historic preservation is depicted in this year’s print. The three paintings in the lower portion of the composition, tell the story described above. The central painting of one of the cherubic figures on the fountain captures the essence of historic preservation: guardians of our past, which is preserved for our future.

This story of neighbors coming together for a common purpose remains one of the most inspiring messages for our times…and is so very rewarding for anyone who stands in front of this glorious centerpiece of this glorious neighborhood.

~ Mark D. Bird

*”A Walking Tour and Cooking Guide of Saint James Court”, published by The St. James Court Association, Louisville, KY, 1976

About Mark

Mark Bird

Mark D. Bird, NWS has enjoyed a professional career of over forty years as a distinguished architectural illustrator and designer, working with many of the world’s foremost architects and designers. Additionally, Mr. Bird has produced commemorative edition artworks for public and private events, businesses, agencies and a multitude of other clientele. His works hang in private and corporate collections around the globe. In 2017, he began the next chapter of his life as a fine artist, focusing on the art of architecture. He travels the world in search of inspiring, architecturally significant subjects and records his visions through his skillful style and inherent senses of emotion and interpretation. Mark is the recipient of many awards, including but not limited to: 2020 National Watercolor Society Members Exhibition for “Porta Camollia, Siena, Italy”, 2020 National Watercolor Society 50 Stars Exhibition for “Via Cialdini, Montalcino, Italy”, 2019 American Watercolor Society 152nd Annual International Exhibition for “Via Rosina, Florence, Italy”, Winsor & Newton Award, 2019 National Watercolor Society 99th International Open Exhibition for “Staithes, England”, 2018 National Watercolor Society Signature Membership. Mark also was the “Winner, Overall Best, 21st Annual Show Poster Contest”, Sunshine Artist Magazine, cover painting “St. James Court Art Show 2016.” To learn more about Mark Bird visit markdbird.com, follow him on Facebook.com/markdbirdfineart and on Instagram at @markdbird.nws.